Having never been an avid fan of either, I cannot help but wonder if their almost unquestioned praise comes from their aesthetic decisions. ![]() This raises an interesting question – why do some filmmakers still choose the black and white aesthetic and what effect does this have on their work?īéla Tarr and Jim Jarmusch, have both made frequent use of black and white in their films. ![]() ![]() In 2013, Frances Ha, Nebraska, and A Field in England proved that cinema still has a place for black and white, even if it now has closer ties with art films than Hollywood. With advances in technology propelling contemporary cinema towards high definition, higher frame rates, and 3D, it’s endearing to see that black and white films can still have a great amount of success. The Vintage Aesthetic: The Function of Contemporary Black & White Cinema The ‘instant nostalgia’ of Frances Ha
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